g-mk news

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Emilio Moreno: Stone acrobatics

When not precious or semi-precious, how valuable is a stone? Can it have any value in itself, or is the value (for example, historical value) bestowed by the context in which the stone finds itself? Because it is not irrelevant whether a stone is used for skipping or is part of the structure of a medieval church. The skipping stone remains insignificant enough so that, as soon as it sinks, we can replace it with another one without feeling any loss, but what about losing a stone that is part of a church? Historians and archaeologists are certainly not indifferent about material remains because one stone, even a damaged one, can help build a narrative of the entire history. The exhibition will open on the 18th of September 2014 at 8 pm.




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Iva Cepanec Masters; Stagnation

When a river develops one or more alternative channels, one channel is considered primary and is used as a navigational route, while other channels are called backwaters and are often shallow and in stagnation. In this case, the term backwater can be applied to the physical and social areas that have been isolated—systematically neglected in their cultural and economical development—in the process of shifting from the periphery to the margin. Although these places are stagnant, they posses a far greater richness and diversity of life than the main stream. Through displacement of these natural forms inside the gallery space, Stagnation allegorically interprets states of neglect and diversity, as well as the disconnect between individual formations. The disconnect of the margins and their gravitation towards the center, as well as the relation of the center towards the margins, disables them to achieve any true change, regardless of the individual potential they posses. Exhibition will open on 5th of September 2014.




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Kerrie Poliness: Wave Drawings and Landscape Paintings

 "These works are concerned with ‘difference’, an aspect of connectivity between things in the world that is often disconnected by notions such as ‘natural’ and ‘manufactured’. Everything in this world, both natural and manufactured, is a part of nature and interrelated. Each thing in the world is innately unique and constantly in a state of flux.  The nature of nature is such that a small shift within very tight parameters can produce quite different outcomes. The less that change is allowed to occur (is repressed) the more radically change may happen when it does occur, because it will occur. The physics of such processes of change helps to explain what is going on in the world around us." The exhibition will open on 3rd of June 2014 at 8 pm.




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news on the side

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REMOVED FROM THE CROWD: Unexpected Encounters I_ READER

Bringing together newly commissioned essays predominantly from an emerging generation of researchers and writers, this reader focuses on conceptual and experimental artistic, curatorial and institutional practices that have rarely or never been brought into relation with parallels outside their respective context, in this case Latvia, Slovenia, Croatia, Hungary, Chile, Peru, Poland and Romania. It does not strive for the formulation of a structured narrative of theses and conclusions, nor is it imagined as a review of practices determined by their ‘peripheral geographies’. Rather, while seeking to avoid already established analogies and references it becomes a call for close reading. The result is an experiment in which comparative readings can be formed through potentially unexpected and revealing ‘encounters’.

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REMOVED FROM THE CROWD* Dionysian Socialism, (Non) Action, Delayed Audience_1960s and 1970s in Yugoslavia and Czechoslovakia /Open research/ Tranzitdisplay, Prague, June 20th - July 10th, 2011

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Where Everything Is Yet To Happen_2nd Chapter: Exposures

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REMOVED FROM THE CROWD: THE FATE OF OUTER PLANETS opens at SKUC Gallery, Ljubljana on December 23, 2009

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