g-mk news

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Aslı Çavuşoğlu: In Diverse Estimations

Aslı Çavuşoğlu is concerned with how history can be read and questions who, or what processes, enables its writing and toward what end. These investigations, which have been articulated through various media, revisit key moments so as to locate the interwined dance between rupture and continuity as consciousness and its related identities are constructed and reconstructed. In the exhibition in Miroslav Kraljević Gallery the artist will show four works made in the period 2010 – 2011. Exhibition opening; 10th of June at 8 pm.  




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LMU/ALU Exchange

Please join us to see the starting collaboration between the students of the Cass in London and the Academy of Fine Arts in Zagreb. We are inviting you to celebrate the opening ideas for what will be an ongoing engagement.   Yours sincerely, Lea Anić, Laura Barić, Tin Dožić, Vanda Kreutz Oslaković, Toni Mijač, Nera Miočić, Valerija Cerovec, Haydn Ronnie Albrow, Trude Elisabeth Bekk, Santa Sabule, Paulina Glimas, Katarina Sobolciakova, James Johnston and Mar Gonzalez Del Corral   Project coordinators: Nicole Hewitt, Ana Hušman and Ben Cain   Supported by: Grad Zagreb, Ministarstvo kulture Republike Hrvatske, Odsjek za animirani film i nove medije - Akademija likovnih umjetnosti u Zagrebu i London Metropolitan University.   Gallery Miroslav Kraljević is supported by Zaklada Kultura Nova.




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news on the side

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REMOVED FROM THE CROWD: Unexpected Encounters I_ READER

Bringing together newly commissioned essays predominantly from an emerging generation of researchers and writers, this reader focuses on conceptual and experimental artistic, curatorial and institutional practices that have rarely or never been brought into relation with parallels outside their respective context, in this case Latvia, Slovenia, Croatia, Hungary, Chile, Peru, Poland and Romania. It does not strive for the formulation of a structured narrative of theses and conclusions, nor is it imagined as a review of practices determined by their ‘peripheral geographies’. Rather, while seeking to avoid already established analogies and references it becomes a call for close reading. The result is an experiment in which comparative readings can be formed through potentially unexpected and revealing ‘encounters’.

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REMOVED FROM THE CROWD* Dionysian Socialism, (Non) Action, Delayed Audience_1960s and 1970s in Yugoslavia and Czechoslovakia /Open research/ Tranzitdisplay, Prague, June 20th - July 10th, 2011

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Where Everything Is Yet To Happen_2nd Chapter: Exposures

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REMOVED FROM THE CROWD: THE FATE OF OUTER PLANETS opens at SKUC Gallery, Ljubljana on December 23, 2009

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