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Where Everything Is Yet To Happen_2nd Chapter: Exposures

Exposures, the second chapter of the long-term, collaborative project WEIYTH – Where Everything Is Yet to Happen takes place in Banja Luka, Mostar and Sarajevo takes the form of an exhibition, a set of seminars, workshops, and new productions. The project, curated by Ivana Bago and Antonia Majaca (DeLVe - Institute for Duration, Location and variables) was initiated by gathering a team of co-curators (Anselm Franke, Ana Janevski, Vit Havranek & Zbynek Baladran, Erden Kosova, Nina Montmann, Jelena Vesić) which resulted in the exhibition Can you speak of this? – Yes, I Can, in Banja Luka in 2009.

 

Incited by the WEIYTH's underlying concept of a prospective rethinking of the notion of community, the artistic and curatorial propositions at the exhibition opened up a set of topics, designating the course of the further development of the project: the issues of collaboration, complicity, articulation of trauma, exile and return, politics of language, politics of memory, culturalization of politics and politization of art. 

 

 


 

These topics have developed into a basis for initiating new collaborations, gathering groups and creating temporary communities of artists, theoreticians, students and curators, in a process of creating new vocabularies that together form Exposures, the second chapter of the project. Like the first one, it is primarily based on insisting on the question: "Can you speak of this?", where an affirmative answer points first of all to an acceptance of responsibility to articulate and question one's own position in relation to the social and political context the project is set in, as well as in relation to particular topics it addresses.

 

Accepting the invitation to participate in the curatorial, artistic, theoretical and transformational quest, and address the invitation to others, has meant exposing oneself to a state of radical uncertainty. For all involved in the process – organizers, curators, participants, guests, the public – it has meant accepting the state (and action) of exposure without compromise: exposure to precarious financial circumstances, exposure to the gap between the public's expectations formed by dubbing the project a 'biennial' and its decision to question exactly how such a project can subvert the imperative of spectacularity and representation; where 'art' as material product is secondary to the processes of political subjectivization and articulation of relations between all who have been, and who will yet become, involved in the process – being exposed, most importantly, of one to each other.

 

 

 

Program:

 

Exhibition, Banja Luka

30.10.-30.11.2010
Rudi Čajavec Factory, Salon of the Museum of Contemporary Art, Public space

Events (Mostar and Sarajevo):
14.10. 2010, 6 pm Lala Raščić, Damned Dam, performance and discussion, SCCA, Sarajevo

15.-16.10. 2010 Research archive Football as Metaphor of Life? (Abart, Mostar), discussion and presentation of the archive, OKC Abrašević, Mostar

 

Events (Banja Luka: Rudi Čajavec Factory)


21.-22.10. 2010 Damir Arsenijević (Monument Group), It's Time We Got to Know Each Other As We Really Are, poetry session

21.-22.10.2010. Vahida Ramujkić, Disputed Histories, workshop

Subota, 30.10.2010

17.00 Lala Raščić, Damned Dam, performance

18.00 Lana Čmajčanin & Igor Grubić, 20,000, action, public space: Trg Krajine
18.30 Nicole Hewitt, Documents/Jasmina, performance

19.00 Branimir Stojanović (Monument Group) & Vladimir Jović, presentation of the Mathemes of reassociation newspaper and discussion

21.00 Exhibition opening: Spaport on Spaport, introduction by the organizers

 

Nedjelja, 31.10. 2010
11.00-14.00 Jelena Petrović (Monument Group) & Stanislav Tomić, The History of the Present, public reading

15.00-18.00 Jasmina Husanović (Monument Group), Against the Death of the Political Subject. On Cultural Production and Emancipatory Politics, public discussion

18.00 Margareta Kern, GUESTure, lecture

19.00 Work Group Four Faces of Omarska - Mirjana Dragosavljević, Srđan Hercigonja, Vladimir Miladinović, Marija Ratković, Dejan Vasić, Jovanka Vojinović, Zoran Vučkovac and Milica Tomić, public working meeting

 

01.11.-07.11.2010
STEALTH.unlimited (Ana Džokić & Marc Neelen), Taking Common Matters Into Your Own Hands, workshop and research archive

 

Ponedjeljak, 01.11. 2010, 17.00
Sandra Dukić & Boris Glamočanin, Ljubija kills, presentation of the project, Salon of the Museum of Contemporary Art

 





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REMOVED FROM THE CROWD: Unexpected Encounters I_ READER

Bringing together newly commissioned essays predominantly from an emerging generation of researchers and writers, this reader focuses on conceptual and experimental artistic, curatorial and institutional practices that have rarely or never been brought into relation with parallels outside their respective context, in this case Latvia, Slovenia, Croatia, Hungary, Chile, Peru, Poland and Romania. It does not strive for the formulation of a structured narrative of theses and conclusions, nor is it imagined as a review of practices determined by their ‘peripheral geographies’. Rather, while seeking to avoid already established analogies and references it becomes a call for close reading. The result is an experiment in which comparative readings can be formed through potentially unexpected and revealing ‘encounters’.

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REMOVED FROM THE CROWD* Dionysian Socialism, (Non) Action, Delayed Audience_1960s and 1970s in Yugoslavia and Czechoslovakia /Open research/ Tranzitdisplay, Prague, June 20th - July 10th, 2011

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REMOVED FROM THE CROWD: THE FATE OF OUTER PLANETS opens at SKUC Gallery, Ljubljana on December 23, 2009

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And Then Nothing Turned Itself Inside Out / 2nd chapter on stories and the 'immemorable' /

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